monsters a bedford spotlight reader The Fantasy of the Middle Ages: An Epic Journey through Imaginary Medi
SKU: 22793138977
monsters a bedford spotlight reader

monsters a bedford spotlight reader The Fantasy of the Middle Ages: An Epic Journey through Imaginary Medi

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monsters a bedford spotlight reader The Fantasy of the Middle Ages: An Epic Journey through Imaginary MediLarisa Grollemond and Bryan C. Keene This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture. From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights,

Larisa Grollemond and Bryan C. Keene

This abundantly illustrated book is an illuminating exploration of the impact of medieval imagery on three hundred years of visual culture.
 
From the soaring castles of Sleeping Beauty to the bloody battles of Game of Thrones, from Middle-earth in The Lord of the Rings to mythical beasts in Dungeons & Dragons, and from Medieval Times to the Renaissance Faire, the Middle Ages have inspired artists, playwrights, filmmakers, gamers, and writers for centuries. Indeed, no other historical era has captured the imaginations of so many creators.

This volume aims to uncover the many reasons why the Middle Ages have proven so applicable to a variety of modern moments from the eighteenth through the twenty-first century. These “medieval” worlds are often the perfect ground for exploring contemporary cultural concerns and anxieties, saying much more about the time and place in which they were created than they do about the actual conditions of the medieval period. With over 140 color illustrations, from sources ranging from thirteenth-century illuminated manuscripts to contemporary films and video games, and a preface by Game of Thrones costume designer Michele Clapton, The Fantasy of the Middle Ages will surprise and delight both enthusiasts and scholars.

This title is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 21 to September 11, 2022.

Larisa Grollemond is assistant curator of manuscripts at the J. Paul Getty Museum and was a contributing editor for Book of Beasts: The Bestiary in the Medieval World (Getty Publications, 2019). Bryan C. Keene (he/él/they/elle) is assistant professor of art history at Riverside City College and a former associate curator of manuscripts at the J. Paul Getty Museum. He specializes in codex cultures of a global Middle Ages and fantasy medievalisms.

“The upbeat and insightful treatment of medievalism differs from conventional approaches.”
—D. H. Cibelli, Choice

“A vibrant guide to ‘medievalism’. . . . Packed with illustrations, attesting beautifully to the multicoloured – as well as multicultural – splendour of medievalist art. . . . This is a work that opens medieval fantasy up to everyone, regardless of gender, sexuality, race or class. . . . The Middle Ages do indeed emerge from this book as a fantasy, an endlessly imaginative tapestry woven by a million dreamers.”
—James Paz, The Times Literary Supplement

“Excellent.”
Hyperallergic

“By turns informative and captivating, this will enchant historians as much as it will reenactors of the Renaissance Faire stripe.”
Publishers Weekly

“A comprehensive, inclusive analysis of the many ways in which the Middle Ages inform popular culture. . . . Provocative and thorough.”
Jeana Jorgensen, Foreword Reviews

"This lively and engaging book highlights the key role that visual culture has played in constructing modern (mis)understandings of the so-called Middle Ages. Delightful images of everything from precious antiquities to contemporary film stills support the authors’ insightful analyses. Direct and nuanced engagement with issues around race, gender, sexuality, and other questions of diversity make The Fantasy of the Middle Ages essential reading for anyone curious about how we come to know the material cultures of the past as well as the present.”
—Maggie M. Williams, Executive Director, The Material Collective

“A fascination on every page. This bright and bold exploration of medievalism is not just a collection of stories told and reimagined in every new age, but a rich tapestry in its own right. Inclusive, illuminating, and filled with insight.”
—A. R. Capetta & Cory McCarthy, authors of the bestselling Once & Future series

 "Whether you're a storyteller looking for inspiration, an art historian, or simply a lover of beautiful things paying homage to other beautiful things, Fantasy of the Middle Ages is a lush and thoughtful exploration of why this period continues to affect our art today in both obvious and surprising ways.”
—Kiersten White,
 New York Times bestselling author of the Camelot Rising Trilogy

“With wit and verve, The Fantasy of the Middle Ages explores the perennial popularity of the medieval world in the modern imagination from Tolkien to Game of Thrones. Grollemond and Keene convincingly demonstrate how storytellers of all kinds utilize the rich imagery of the Middle Ages to create an alternative fantasy space, almost a playground, where their own contemporary fears and anxieties can be more safely probed, and paradigms subverted. From the Pre-Raphaelites to Nintendo’s Legend of Zelda, we remain enamored with our own fantasy medieval worlds and the consequences of this infatuation continue to remake and reshape the material culture of the twenty-first century.”
—Kristina Pérez, author of The Sweet Black Waves Trilogy

 “The fascination with magic and the Middle Ages has captured imaginations for generations, and ours is no different. Grollemond and Keene take us through the tropes and imagery that first built the fantasy of medieval times and follow it through to our own modern day retellings with vivid illustrations, thought-provoking commentary on the past and current social context, and careful deconstruction of what was truly historical and what has become legend. An intriguing read for anyone who has wondered at the origins of legends like Robin Hood, King Arthur and the Round Table, and the magic and myth of fairies, princesses, wizards, and kings.”
—Jenny Elder Moke, author of Hood  

“A lavishly illustrated book full of delights and surprises: King Arthur’s knights, talking animals, music, movies, maps, and Renaissance fairs all make an appearance, alongside insights into race, gender, and sexuality, both in the medieval past and today.  The authors even offer glimpses of vast, premodern worlds beyond Europe and Christendom—in this book, your grandad's European Middle Ages is wholly remade by new ideas and new pleasures in how the past is recovered today.”
—Geraldine Heng, author of The Invention of Race in the European Middle Ages and The Global Middle Ages: An Introduction 

144 pages
9 x 10 1/4 inches
142 color illustrations
ISBN 978-1-60606-758-1
hardcover

Getty Publications
Imprint: J. Paul Getty Museum

2022

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SKU: 22793138977

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C. Hunter
San Leandro, US
★★★★★ 5
Beta, Alpha, Omega oh my!
Format: Kindle
Omegas are precious and given to Alphas & their packs... but the Betas want in too. To this end, the Beta government is rolling out its trial of assigning a Beta to each Alpha-Omega pack. But forcing a Beta into a pack where they are not wanted will not end well... Of course, no one expected the Omega to fall for the assigned Beta. Great read and cliffhanger
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Reviewed in the United States on February 15, 2025
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B. Stubby
Draper, US
★★★★★ 3
A familiar story, just with…..less.
Format: Kindle
So, as other reviewers make clear, this is very similar to Pack Darling and The Beta. It’s much closer aligned with The Beta, in plot and maybe more like Pack Darling with characters. That being said, I don’t hate this…..but it wasn’t great either. It’s both books mentioned but just….less. Less angst, less emotion, less feeling. The plot feels very half fleshed out, and the “bad guy” feels underwhelming. I didn’t really feel any real emotions from and of the male leads, except maybe Oliver. The others fell sorta flat for me. And Mika makes herself out to be this big bad ass straight outta training and then we never see it from here again with the one fitting room incident as the exception. SPOILER: The whole, “Oh, I’m actually probably an Omega, but I don’t wanna be but I do actually wanna be but no one can ever know my secret that I do nothing to hide “ thing fell so flat. She never commutes to believing she was secretly an omega, but also mentions her “secret” a lot. It just felt so manufactured. I’m intrigued enough to read part 2 and see how the author closes everything out, but this is not one I’ll recommend or ever come back to.
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Reviewed in the United States on February 13, 2024
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SR
West Palm Beach, US
★★★★★ 5
Good start to a series
Format: Kindle
I delayed reading the series for reasons I don’t remember. But my TBR list is huge so I thought I’d take a shot of this and I was pleasantly surprised. I didn’t think the blurb about it was anything special. But it was a very good book. It took some interesting twists and turns. I am so glad the second book is already out. Because I would not have waited patiently. Very slow burn but good storyline. 🔥🔥/5
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Reviewed in the United States on January 3, 2025
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Jammie Clark
Boise, US
★★★★★ 4
A good read
Format: Kindle
Multiple points of view. 3 Alpha men and an Omega male. She is a Beta in training for a new program placing betas in Alpha/Omega packs. Mila is only doing the program for the money to take care of her dad. She wasn't expecting to fall for a pack but when she sees this packs Omega she is done for. There is just something about him. His Alphas are good looking as well. Too bad she is hiding a secret and their government is acting shady. I liked it and can't wait to see where their story goes.
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Reviewed in the United States on November 14, 2023
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Bri Hires
Lowell, US
★★★★★ 3
Slightly repetitive but I did love some things
Format: Kindle
I love this type of story. And omegaverse is one of my all time favorite genres. But there are a few things that pulled me out of my enjoyment while I was reading. It was repetitive at times as well as struggled with telling not showing. So we didn’t always feel like we were experiencing things with the main character. There were also some plot holes but they may still be answered in part 2. Now this isn’t to be said I didn’t enjoy parts of the story. I loved the almost instant love between Mila and Oliver. And how he started changing around her.
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Reviewed in the United States on February 15, 2024

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