SKU: 68804684444
maxi cosi adorra 2017

maxi cosi adorra 2017 Maxi Cosi Adorra Stroller - Red Rumor

Sale price$26.18 Regular price$29.09
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Ships within 48 hours · Estimated delivery Jul 29 - Aug 3

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Description

maxi cosi adorra 2017 Maxi Cosi Adorra Stroller - Red RumorMaxi Cosi Adorra Stroller is a luxurious stroller meets the demands of your urban lifestyle, combining best in class comfort for baby and convenience for you. It's the perfect stroller from birth to 3. 5 years for enjoying a cocooning urban life. In just 2 clicks, add a Maxi Cosi carrycot and baby car seat to transform the Adorra into a 3 in 1 travel system*, suitable from birth to 3. 5 years. The new Adorra by Maxi Cosi will give you and your baby

Maxi Cosi Adorra Stroller  is a luxurious stroller meets the demands of your urban lifestyle, combining best-in-class comfort for baby and convenience for you. It's the perfect stroller from birth to 3.5 years for enjoying a cocooning urban life. In just 2 clicks, add a Maxi Cosi carrycot and baby car seat to transform the Adorra into a 3-in-1 travel system*, suitable from-birth to 3.5 years. The new Adorra by Maxi Cosi will give you and your baby the confidence to embrace the future.

  • Carriage mode with full recline gives infants a comfy ride from birth
  • Includes Cozi-Dozi infant support for smaller babies
  • Rear-facing seat allows child to see parent.
  • Canopy with peek-a-boo window and flip out visor
  • Forward-facing seat gives child a view of the road ahead
  • Reversible seat reclines in both forward and rear facing positions
  • The luxury of a large padded seat 
  • A lightweight stroller less than 12kg
  • A huge shopping basket and 1-hand folding for you

Recommended for babies 0+ months.

*Accessories shown in the video (e.g. side storage pouch, cup holder, adapters etc) are NOT included.

The new Adorra is the urban stroller of the future, with best-in-class comfort for baby and ease of use for parents. Perfect for the suburbs and city, baby stays wrapped up comfortably while you can use the large shopping basket when going into town, or visiting the shopping mall.

This 3-in-1 stroller is perfect for you if...

  • You're looking for a versatile stroller with best-in-class comfort for you and your baby.
  • You want the luxury of a lightweight stroller with a huge seat for baby and a huge shopping basket for you 
  • You live in town or in the suburbs.
  • You love strolling with friends and family in the town center, shopping mall or in the park. 

Includes ONLY the following accessories:

  • Cupholder
  • Adapter for Maxi Cosi infant car seats
  • Side storage pouch
  • Seat insert, head pillow

*Carrycot and baby car seat SOLD SEPARATELY.

Best-in-class comfort and safety for baby: 

  • Generous extra-padded seat
  • Ultra-extendable canopy
  • Full reclining seat with lie-flat position
  • Adjust to parent facing or road facing in 2 clicks 
  • Backrest and legrest adjust simultaneously 
  • Maxi Cosi 5-point harness
  • Removable bumper bar


Easy to use for parents: 

  • Flexible from-birth travel system 
  • Light to push and transport
  • Easy to fold and unfold
  • Folds with seat in both directions 
  • Stands upright when folded
  • Lockable swivel wheels 
  • Large shopping basket included
  • Easy braking system


Premium design:

  • Contemporary style
  • 4 wheels 
  • Leather-look finish
  • Wide selection of fashionable colors
  • Selection of stylish accessories (ALL SOLD SEPARATELY)

Compatible Maxi Cosi infant car seats: Rock. Pebble, CabrioFix, Citi

 

Specifications

FAQ

What age range is the Maxi Cosi Adorra stroller suitable for?
The Maxi Cosi Adorra stroller is designed for children from birth to around 15kg (around 3½ years old).

To give your baby optimal protection, we recommend using the Adorra stroller with a Maxi Cosi baby car seat or carrycot for the first 6 months.

Can I hang a nursery bag on the Maxi Cosi Adorra stroller?
Yes. You can hang a nursery bag on the handles of the Maxi Cosi Adorra stroller. The maximum weight limit is 2kg.

Is the Maxi Cosi Adorra stroller compatible with Maxi Cosi carrycots?
Yes, the Maxi Cosi Adorra stroller is compatible with Maxi Cosi carrycots. It is also compatible with Maxi Cosi car seats.

Can I fold my Maxi Cosi Adorra stroller when the seat is facing me?
Yes, the Maxi Cosi Adorra stroller can be folded both with the seat facing the road or the parent.

Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
  1. Standard Shipping : 3-10 business days
  • If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 68804684444

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4.4 ★★★★★
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Product Reviews
J
Verified Purchase
Joel Bradford
Waukegan, US
★★★★★ 4
Beautiful, glorious, and depressing but not without levity
Probably Gilliams most serious film, a story of a dreamer in a dystopian bureaucratic future, plagued by monotony and endless paperwork, our protagonist (played by Jonathan Pryce) isn't sure what he wants in his life, but he knows he wants something different. When the Department of Information Retrieval disappears the wrong person (played by Robert De Niro), our hero goes to reimburse the widow and discovers a woman living in the same building who looks like the woman out of his dreams (played by Kim Greist). Really stellar performances by Pryce, and a gaggle of supporting actors such as Ian Holm, Michael Palin, Kathrine Helmond, and Bob Hoskins. Greists performance is probably the weakest, but she does enough for the role that the critique of it amounts to a nit pick really. While this film is considered a cult classic, I would qualify it even less and say its just a classic, full of symbolism with a increasingly repressive tone throughout balanced by Gilliams puncturing, dark humor.
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Reviewed in the United States on September 29, 2024
M
Verified Purchase
Mr. Watkins
Chelsea, US
★★★★★ 5
Classic Terry Gilliam- Watch It!
One of the best Terry Gilliam movies out there. Made in the 1980's, the cast is superb, and it holds up well 40 years on. WAtch it- it's a trip!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 27, 2026
M
Verified Purchase
***moviemaker***
Lake Worth, US
★★★★★ 5
BLU RAY is the 132 minute Original U.S. Theatrical Cut FINALLY!!!!
] On this Blu-ray for the first time ever we get the ORIGINAL 132 minute version of the film as was shown in U.S. theaters. (Note: This is NOT the "Love Conquers All" Sheinberg/TV Edit.) All the DVD releases before this have been the European Version/Director's Cut of the film. Even the original Universal DVD release that said Theatrical Cut on the box actually had the European Version/Director's Cut. Unfortunately, Universal didn't really spend any time cleaning up the negative for Hi-Definition (there is very noticeable instances of dirt and debris on the negative) but it still beats the image quality found on the Universal SD DVD, and they do include an amazing DTS-HD Master 5.1. We'll just have to wait for the Criterion Blu-ray of Brazil for image perfection but serious fans of Brazil will want to get this Blu-ray edition just to have this version of the film as it was originally seen in theaters in 1985. I actually find this 132-minute version is in many ways a superior cut of the film. Here are the differences in detail: *In the 132-minute version you cut from Sam in bed with Jill, police sack goes over head, then CUT TO Pull off police sack to reveal Sam in Torture Chamber/Interrogation chair. This one cut is simply brilliant and very powerful. In the Criterion Version you have the added scene of Mr. Helpman as Father Christmas (completely out of charcater from the rest of the film) and the whole interrogation scene of Sam hanging from the rack inside the police/mail pouch which becomes narratively redundant and dilutes the impact of the final scene. *To end it with cooling tower/interrogation room fade to clouds was a great Gilliam wink of subversion and irreverence to the cliche Hollywood Ending. As opposed to the European cut of just credits over cooling tower/interrogation room. *The Samurai Scene is divided into 3 separate scenes in the 132-minute version versus 1 LONG scene in the European cut. And you know what? Like most things, it works better in 3's. *The 132-minute version cuts straight to the Dinner Scene with Ida (his mother) ordering numero deux, trois, etc. while the European version has the entrance to the restaurant of going through the metal detector which really doesn't add anything and is again a bit redundant when the bomb does eventually go off in the restaurant. With the scene, you're signaling to the audience we are looking for a bomb, so we expect a bomb. Without the added scene, the bombing is unexpected and it actually shocks you so you're both horrified and laughing. The unexpectedness also works as it builds upon the bomb motif from the first explosion at the beginning of Brazil during the Ducts advert. *And finally I just love that the 132-minute version opens on those clouds (outtakes from The Never-Ending Story) then goes to the Central Services advert about Ducts: "Are your ducts old-fashioned, out-of-date... " Now the Criterion version also has the clouds opening (The Original European Cut didn't) but it's funny because the Studio asked Gilliam to start off with the clouds for the US Cut and he actually prefers it as quoted in his Director's commentary. Hilarious. Little changes that add up to a tighter and overall, better film.
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Reviewed in the United States on July 12, 2011
W
Verified Purchase
W.P.
Lowell, US
★★★★★ 5
Great cast; well directed
Great movie; lives up to its reviews
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Reviewed in the United States on March 25, 2026
B
Verified Purchase
Basket Case
Louisville, US
★★★★★ 5
An ageless classic !
I hadn't re-watched this movie since the first time I saw it, when it came out in 1985. Back then, it had stricken the public with its fatalistic and pessimistic view of an overwhelming bureacracy, a suggested characteristic of fully-centralised power in a controlled society in the future. Today, we can still admire some of its validity and premonitory qualities (and the sarcastic humour !). The dream-like scenes and symbols used in the film are also ageless. Ever-growing computer systems govern today the relationships we hold with banks, government departments, utilities, phone companies, etc. Who hasn't experienced the frustration of dealing with their 'machines' and/or incompetent & robotic bureaucrats when problems or errors arise in their service? 'Brazil' will seem so familiar! The omni-presence of screens in our lives, everywhere and incessantly offering us products or services, or used to control our movements and behaviour, is also a well-guessed futuristic scenario by Gilliam & co. And what to say about the 'terrorism' and the 'permanent state of fear' portrayed back then? Sounds familiar today? I recommend this movie to anyone interested in the threats of an unbridled, arrogant and all-powerful bureaucracy in human society. The film can be a bit 'heavy' at times, though. Not everyone's cup of tea. Watch it first, before sharing with friends or family.
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Reviewed in the United States on February 19, 2012

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