anthurium warocqueanum forms Anthurium Queen Warocqueanum 'Dark Narrow' – Soiled
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anthurium warocqueanum forms

anthurium warocqueanum forms Anthurium Queen Warocqueanum 'Dark Narrow' – Soiled

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anthurium warocqueanum forms Anthurium Queen Warocqueanum 'Dark Narrow' – SoiledIf the Anthurium veitchii is the King, then Anthurium warocqueanum is unquestionably the Queen and the 'Dark Narrow' form is the Queen at her most regal. Native to the rainforests of Colombia and named to honour Belgian industrialist and plant collector M. Warocqu, this epiphytic aroid produces pendant, velvety leaves that hang downward in long, narrow arcs reaching 90120 cm at maturity deep near black green in colour, each one traced with a fine

If the Anthurium veitchii is the King, then Anthurium warocqueanum is unquestionably the Queen — and the 'Dark Narrow' form is the Queen at her most regal. Native to the rainforests of Colombia and named to honour Belgian industrialist and plant collector M. Warocqué, this epiphytic aroid produces pendant, velvety leaves that hang downward in long, narrow arcs — reaching 90–120 cm at maturity — deep near-black-green in colour, each one traced with a fine network of silver-white veins that gleam against the dark surface like threads of light through silk. The 'Dark Narrow' designation refers to the collector-selected ecotype with the deepest, most saturated leaf colour, narrower and more elongated leaf form, and fewer but more dramatically defined veins compared to the broader, greener standard form. A member of the Cardiolonchium section — the velvet-leaved royalty of the Anthurium genus — it is one of the most coveted aroids in the world.

💡 The Leaf Count Rule — How to Know If Your Queen Is Happy Unlike most plants where the health metric is new growth, the Queen Anthurium is measured differently: a thriving plant retains all its existing leaves and adds new ones on top. A stressed plant drops one older leaf for every new one it produces — staying permanently at the same leaf count no matter how long you wait. A healthy, well-established specimen can hold 6–8 leaves simultaneously. If your plant is cycling leaves rather than accumulating them, review light, humidity, temperature, and watering simultaneously — all four factors together determine her happiness.
⚠️ Do Not Let Water Sit on the Velvety Leaves The thick, velvety surface of the leaves is beautiful but vulnerable. Water sitting on the leaf surface — from misting, overhead watering, or condensation — creates ideal conditions for bacterial leaf spot: brown circles with a yellow halo, which spread rapidly and are permanent. Never mist the leaves directly. Use a humidifier to maintain humidity, ensure strong air circulation around the foliage at all times, and water at the base only.
☀️

Light

Bright indirect light — 6–8 hours daily, but never direct sun. An east-facing window or 1–2 m from a filtered south-facing window is ideal. The 'Dark Narrow' form's deep colouration is most vivid in bright indirect light — in lower light leaves trend greener and growth slows significantly. A quality grow light at 12–14 hours is an excellent solution and produces some of the most impressive leaf development. No morning or late evening direct sun on the velvety surface — even gentle direct sun scorches the leaves.

💧

Watering

Keep the substrate barely moist — allow the top 3–4 cm to approach dryness, then water thoroughly. In chunky mix this means checking every 5–7 days. The roots need excellent airflow and will rot rapidly in saturated substrate. Use filtered or rainwater at room temperature. Never let the pot sit in standing water. Reduce slightly in winter but never allow to fully dry. This is a heavier drinker than most aroids — do not underwater.

💦

Humidity

70–85% — the single most critical factor for sustained health and long leaf development. A humidifier running nearby is strongly recommended. Crucially, pair high humidity with good air circulation — stagnant humid air is as damaging as dry air. A gentle fan on low, directed away from the plant but circulating the room, provides the airflow the leaves need. Never mist directly onto the velvety surface.

🌱

Growing Media

Chunky, extremely well-aerated epiphytic mix — 40% orchid bark, 30% perlite, 20% sphagnum moss, 10% coco coir. Or 100% sphagnum moss kept barely moist. pH 5.5–6.5. Shallow wide pot or hanging basket. The entire stem can be packed in damp sphagnum to encourage aerial root development along its length. Repot every 2 years in spring — do not disturb roots unnecessarily. Can also be grown on an epiphytic mount.

🌾

Feeding

A heavy feeder compared to most aroids — balanced liquid fertilizer at half strength every 3–4 weeks in spring and summer. An extended-release fertilizer applied at half label strength every 3 months is an excellent low-maintenance alternative. Apply only to moist substrate. Flush thoroughly every 2–3 months to prevent salt build-up. Stop feeding in winter.

🌿 Supporting Long Mature Leaves As leaves reach 60–120 cm they become heavy and may droop or kink at the petiole — which can damage the leaf permanently. Gently stake mature leaves with a soft tie to a bamboo cane or hang the plant where leaves can drape freely without obstruction. The pendant form is natural; what to prevent is the leaf bending or folding against itself under its own weight.
⚠️ Common Issues & Quick Fixes

Dropping One Leaf for Every New One — No Progress

The Queen's distress signal. Review all four factors simultaneously: light (too low?), humidity (below 70%?), temperature (below 20°C at night?), and watering (inconsistent?). Usually one is the culprit — improve all four and the cycle breaks within 1–2 leaf cycles. Do not repot during this phase; root disturbance compounds stress.

Brown Circles with Yellow Halo on Leaves

Bacterial leaf spot — caused by water sitting on the velvety leaf surface. Remove affected leaves with clean scissors. Improve air circulation immediately, stop all misting, and ensure humidity comes from a humidifier rather than direct water. Existing spots are permanent; new growth will be clean in improved conditions.

Brown Crispy Leaf Tips or Edges

Low humidity, proximity to an AC vent or fan, or underwatering. Boost humidity to 70%+, move away from drying air sources, and check that the substrate is not drying out fully between waterings. Trim existing brown tips neatly — they will not recover.

Leaves Getting Greener, Less Dark

The 'Dark Narrow' colouration deepens in bright indirect light and diminishes in low light. Move to a brighter position or add a grow light. The deep near-black-green is most vivid at the right light level — too little and the leaves trend olive-green; too much direct sun and they bleach.

Root Rot — Yellow Leaves, Soft Stem Base

Overwatering or substrate staying saturated too long. Unpot immediately, trim all black and mushy roots with clean scissors, allow to air-dry for a few hours, then repot in fresh chunky mix. Water much less going forward — the roots need to breathe between waterings.

📋 Quick Plant Profile

Botanical Name Anthurium warocqueanum T.Moore 'Dark Narrow'
Named After M. Warocqué — Belgian industrialist and plant collector
Common Name Queen Anthurium — paired with A. veitchii, the King Anthurium
Section Cardiolonchium — the velvet-leaved group; includes A. crystallinum and A. magnificum
Family Araceae
Origin Colombia; epiphytic in tropical rainforest
'Dark Narrow' Form Near-black-green colouration; narrow elongated leaves; fewer but more defined silver veins vs. standard form
Mature Leaf Length 90–120 cm; pendant, hanging downward; cardboard-thick and velvety
Health Metric Leaf count accumulates on a happy plant; cycling (losing one per new one) = distress signal
Light Bright indirect; 6–8 hours; grow light excellent; no direct sun
Watering Top 3–4 cm approaching dry; filtered water; heavier drinker than most aroids; no standing water
Humidity 70–85%; humidifier essential; strong air circulation alongside; never mist leaves directly
Temperature 20°C–30°C; cold-sensitive; nighttime minimum 18°C critical
Soil Chunky epiphytic mix or 100% sphagnum moss; pH 5.5–6.5; shallow wide pot or hanging basket
Feeding Heavy feeder — every 3–4 weeks in growing season; extended-release alternative every 3 months
Do Not Mist Water on velvety leaves causes bacterial leaf spot — use humidifier only
Ideal For Serious Collectors, Hanging Displays, Grow Tents, Bright Humid Rooms
Care Level Advanced — humidity, air circulation, and consistent warmth are the three pillars
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Kay
Belleville, US
★★★★★ 5
Five Stars
Format: Hardcover
wonderful book
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Reviewed in the United States on December 6, 2014
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John
Birmingham, US
★★★★★ 5
This book will make a difference in your presentation.
Format: Paperback
If you rely on Powerpoint-like presentation in your work, get Cliff Atkinson's Beyond Bullet Points. I had determined that improving my company's presentations had potentially very high returns so I started poking around the net and Amazon for resources to help. At first, I struck out with books that were supposed to improve presentations, but ended up being guides on technically how to use Powerpoint. That was NOT what I was looking for. Beyond Bullet Points is very different. It is a philosophy about creating presentations whose purpose is to communicate a story, not dump information. Frankly, it was not intuitive for me so I had to decide to just trust that it would work. When I was about ¾ finished, I started to really "feel" what I was doing. And, to my surprise, the most unlikely people really liked the result. In a world where most business and how-to books are nothing more that restating what you already know (or, what you know isn't true), this one is an exception. I highly recommend it!
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Reviewed in the United States on October 19, 2005
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C. Tucker
Alexandria, US
★★★★★ 5
Presentations with the audience in mind
Format: Paperback
I bought this hoping it would be a guide to creating Big-3 Consulting-style slides with fancy diagrams and eye-catching graphic design. That is not what this book is. Instead, this book is about how to tell a story with slides, using the framework of a five act drama. With this method forcing you to focus on who your audience is, what they need to know, and how much time you have to tell them (as opposed to trying to shoehorn everything you know about a subject into your pitch) you end up with a presentation that finishes on time for intelligent questions from an engaged audience. Since buying the book I have given several well-received presentations using precisely that technique. With no words on screen there is no temptation to just read the bullet points, and the audience cannot think ahead of you and must instead listen to what you're saying. You have to know your material to use this method, but when you succeed your audience will be impressed with your knowledge of the subject matter. (If you're working in a group project and want to Blue Falcon a non-contributing teammate, try giving them a few of these slides to speak to.) The recommended slide format is one picture and one headline per slide, with no bullet points at all. The book suggests creating Notes Pages with an outline of your talk as a handout, since the slides themselves don't stand alone. (And that's a good thing--visual aids are supposed to *augment* the presentation, not *be* the presentation.) In conclusion, this book might not be for everyone, but it was exactly what I needed.
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Reviewed in the United States on June 15, 2018
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mrliteral
Battle Creek, US
★★★★★ 4
An outsider's view
Format: Paperback
When it comes to Cliff Atkinson's Beyond Bullet Points, I am a bit of an outsider. I don't read many computer books and, while I have worked with PowerPoint, my presentations are very simple. Since I admittedly use my share of bullet points in these presentations, I thought learning about an alternative approach would be useful. And while there are definite benefits to reading this book, it may not be perfect for everyone. Many people use bullet points in their PowerPoint presentations; this can be a great way to organize thoughts, but Atkinson has a difference approach. Essentially, the Beyond Bullet Points method treats presentations as stories told in three "acts." Act One develops the story, Act Two develops the action and Act Three frames the resolution. Each act is broken down into scenes which provide the details. The first portion of the book explains how to work with each act; the second portion deals with the evolution from initial outline to final presentation. This book assumes a certain amount of PowerPoint knowledge; if you want to learn about the application, this is not the place to start (on the other hand, you don't need to be a PowerPoint expert). One of the nicest things about Atkinson's approach is the way he allows presentations to be pared down to fit the time frame required: his method is designed best with a 45 minute presentation, but it can be easily compressed to a 15 minute or even 5 minute presentation. Another nice thing is that he has a website that readers can access that provides some helpful materials such as template documents. On the other hand, Atkinson treats the issue of bullet points/no bullet points as something of a black-and-white issue. He doesn't really acknowledge that there may be a middle ground where bullet points should be used in certain situations, perhaps even in conjunction with his approach. I think it's more appropriate to view the Beyond Bullet Points as an alternative approach to PowerPoint presentations, not the ONLY approach. Atkinson's writing style is straightforward, and like many computer books, a little dry. But as stated earlier, I am reading this book with something of an outsider's view. This is a good book, but Atkinson's inability to look beyond his own approach keeps it from being a five-star work. Nonetheless, if you do a lot of PowerPoint presentations, there is enough useful material in here to merit a read.
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Reviewed in the United States on June 16, 2006
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Arthur E. Williams
Battle Creek, US
★★★★★ 5
A Refreshing Approach to Presentations
Format: Paperback
I ran across this book while researching a college workshop on perfecting presentation, dealing with public speaking and effective use of PowerPoint. As one who has suffered through numerous electronic slides that did little or nothing to augment the speaker's efforts, I was delighted to see this fresh and innovative approach. I believe this process works best, however, when one's speech is primarily persuasive in nature. Although these ideas helped me set up a strong introduction and conclusion, in a recent lecture I resorted to bullet points for the material I felt the students had to master. Perhaps as I get more used to Atkinson's technique, I'll better about using it in lecture. However, the business applications seem quite worthwhile. My students' workshop presentations that used his techniques were highly engaging. I highly recommend this book and the supporting web site.
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Reviewed in the United States on August 24, 2006

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