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Description
babyzen yoyo as primary stroller Babyzen YOYO² Complete Stroller BundleThe one you need. New YOYO. Now YOYO has a new look and evolves into YOYO to offer even more comfort and practicality with a new reinforced frame, independent suspensions on the 4 wheels and a handlebar in faux leather. Still just as lightweight and compact, YOYO has double the agility and ingenuity to make your life even easier! The YOYO stroller folds and unfolds in a moment, can be worn over the shoulder and tucks in anywhere. YOYO is so compact
The one you need. New YOYO².
Now YOYO has a new look and evolves into YOYO² to offer even more comfort and practicality with a new reinforced frame, independent suspensions on the 4 wheels and a handlebar in faux leather. Still just as lightweight and compact, YOYO² has double the agility and ingenuity to make your life even easier!
The YOYO² stroller folds and unfolds in a moment, can be worn over the shoulder and tucks in anywhere. YOYO² is so compact that it can be stored in the smallest space at home, takes up very little space in the trunk of a car and can even be carried on the plane as hand luggage. It’s the only bassinet & stroller combo in the world that folds completely flat!
The new YOYO² stroller benefits from unparalleled flexibility and cushioning, thanks to the new, individual suspensions on all 4 wheels, allowing the stroller to perfectly navigate all types of surface. YOYO² is extremely strong and light thanks to its high quality materials. With its aluminium alloy, stainless steel and fibre-glass reinforced technical plastics, your stroller will last for several generations. And in order not to make the old versions of YOYO obsolete, all the BABYZEN products and accessories that fit YOYO+ also fit YOYO².
From birth, baby lies parent-facing to encourage connection with their parents. The 0+ Newborn Pack has been designed to give your baby maximum comfort, thanks to its soft, cozy nest pad, specially designed to accommodate newborns.
From 6 months and using the same frame, simply swap 0+ newborn fabrics for 6+ fabrics, and sit baby up to face the road. Time for him/her to discover the world! The YOYO² backrest can be inclined to multiple positions, and features comfortable padding with a 5-point harness.
Please Note: The Babyzen YOYO² Complete Stroller Bundle will take you from birth to toddler and is actually made up of three separate components. It includes the YOYO² frame, 0+ Newborn Pack and the 6+ Color Pack.
YOYO² Frame Features
- New reinforced frame with approved support up to 50 lbs.
- New independent 4-wheel suspension. First-of-a-kind technology (made with a Hytrel® elastomer), providing YOYO² with unrivaled resilience and shock absorption
- New premium faux leather handlebar: more resistant and hygienic, with greater security thanks to the tether wrist strap
- New universal buckle design: more pleasant to the touch and easier to handle
- New adjustable harness strap: softer and more flexible, for greater comfort
- New tool-free reversible backrest, using a more ergonomic button
- Revamped design of the front and back wheel bearings, armrests and shopping basket
- Ultra-compact YOYO-type folding: 20.5 x 17.3 x 7.1 in follows you on-board a plane as hand luggage
- Ultra-light weight for an all-in-one frame: 13.6-14.5 lbs.
- Quickly folds and unfolds with the use of just one hand
- Easy one-hand steering
- Multi-position reclining backrest
- Front swivel wheels
- Rear-wheel parking brakes
- All-wheel shock absorbing suspension
- Basket supports up to 11 lbs, easily accessible from the front or back
- Carry on the shoulder with its padded shoulder strap
- Comes with a transport bag
- Lightweight and durable aluminum frame and wheel axles
- Compatible with select infant car seats with the use of YOYO+ Car Seat Adapters to create a convenient travel system (sold separately)
- Compatible YOYO Bassinet clips onto YOYO² in a single click. It has a semi-hard shell and enveloping foot cover creating a newborn cocoon. The semi-hard shell allows for bassinet to be used off the stroller on the ground. (sold separately)
- Compatible YOYO+ Board connects to your YOYO² stroller in a single one-hand click and it can carry a tired older child up to 44 lbs. (sold separately)
- Compatible YOYO+ Bag hooks onto your YOYO² to carry more shopping goodies. Sitting on a rolling base, it effortlessly carries 22 lbs. (sold separately)
- All accessories that adapt to YOYO+… can now be adapted to YOYO² !
- Suitable for children from birth up to 22 lb.
- Fully reclined newborn nest design that is parent facing
- Reinforced mattress which lies completely flat
- Made with fluffy white sherpa fleece lining that is comfortable for sleeping
- Soft, comfortable mattress
- Padded 5-point safety harness
- Adjustable central strap for optimal baby placement
- Exclusive pop-up canopy with 2 positions
- Canopy offers UPF 50+ rated sun protection
- Anti-UV fabric UPF 50+ treated with waterproofing
- Includes a foot cover and a newborn head support
- Headrest covered in soft light material matching the mattress color
- Foot cover comes in the same material as the canopy, for more attractive, superior protection
- Carry cot is densely cushioned for comfort
- With handlebar folded, you can change your baby with ease
- Stroller folds flat with bassinet attached
- Included rain cover entirely protects the stroller
- Easy to install and remove
- Machine washable fabrics
- Suitable for children 6 months and up; or weighing 16-50 lb.
- Consists of a seat pad and popup canopy
- Comes with a 5-point, adjustable padded safety harness
- Seat pad is densely cushioned for comfort
- Multi-position reclining backrest
- 3-position canopy offers UPF 50+ rated sun protection
- Canopy has a peekabo window for keeping a constant eye on your child
- Anti-UV fabric (UPF 50+) treated with waterproofing
- Zipped back pocket to store essentials close at hand
- Seat is road facing
- Easy to install and remove
- Machine washable fabrics
- Stroller weight: 13.6 to 14.5 lbs depending on version
- Dimensions (unfolded)" 42" L x 17" x 34" H
- Dimensions (folded)" 20.5" L x 17" x 7" H
What you get: stroller frame, reversible backrest, shopping basket, shoulder strap, transport bag, 0+ newborn nest fabrics, 0+ head support, 0+ canopy, 0+ canopy wire, 0+ nest pad, 0+ foot cover, 0+ rain cover, 0+ user guide, 6+ seat base, 6+ seat pad, 6+ canopy, 6+ canopy wires and 6+ user guide.
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.4 ★★★★★
Based on 2160 reviews
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Product Reviews
★★★★★ 5
Get it!! You won't regret it
I don't know what to say but if you are considering buying this,do so... I've been using it a little bit over a week and to be honest I have used all kinds of makeup and lotions and I was never impressed even with experience brands,
This stuff I'm already noticing a difference in wrinkles and it's so soothing.
Just buy it and try it for yourself,
I'll definitely be buying more
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Reviewed in the United States on August 27, 2025
★★★★★ 5
Hydrating
New fav. My teenager loves it
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Reviewed in the United States on January 10, 2026
★★★★★ 3
It’s okay
I use it for a month. I saw no difference. It does give you a glow for a few minutes and it does hydrate. No scent and it didn’t break me out.
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Reviewed in the United States on March 19, 2026
★★★★★ 5
Good
Good
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Reviewed in the United States on January 22, 2026
★★★★★ 5
Fractured pop art masterpiece
Walker (Lee Marvin) and Mal Reese (John Vernon) stage a robbery, stealing a bag of cash from some crooks conducting a delivery by helicopter in deserted Alcatraz. Reese double crosses Walker and leaves him for dead, taking off with the cash and Walker's wife. Walker survives, escapes from the island, and comes after Reese, and all the rest of his criminal organisation, with the mantra, "I want my $93,000."
On this third or fourth viewing, I was struck less by what an exemplary action film this is (Marvin, the hardest man in the history of the movies, was at least as mean and relentless in The Killers), and more by how deeply artiness is infused into its structure and design. The recurrent flashing back and forward in time, especially at the start between the planning - not in the traditional meticulous heist film set up, just a series of fractured, barely linked brief meetings and conversations - and the robbery, but also Walker's thoughts returning to his betrayal, feed the predominant critical interpretation that Walker was fatally wounded on Alcatraz, and the whole film is his trying to process this and his fantasy of revenge. Boorman addresses this directly in the commentary, to the extent that he refuses to commit and says it's intended to be ambiguous. I'm now firmly in the dying-flashback camp, because of Walker's almost magical powers. (On reflection, it's like the question of whether Deckard is a replicant - you can enjoy debating it and looking for clues, but in the end the answer is yes.) He appears in new scenes and locations with no evidence of having travelled, and generally in a spiffy new outfit (more of this later) despite carrying nothing but his revolver, and, particularly in the central sequence, he evades being apprehended either by coincidence (the lift he's in opens and closes while the baddies waiting for the same lift are distracted by a commotion) or by the sheer application of cool (waiting immobile but scarcely invisible in an underground car park while his pursuer is gunned down by police). He also has an advisor/mentor, played by Keenan Wynn, who pops up in scenes like a cartoon character (he looks like a sort of dome shaped, bristle headed man in a suit who might appear in Ren and Stimpy) and gives Walker his next mission, while the two of them assiduously avoid eye contact as if one or both aren't really there.
From Walker's re-emergence in the first of a series of natty suits, Point Blank is constructed as a series of set pieces. The first is the oddest, continuing the flashbacks and playing with chronology. Walker is seen striding intently down a corridor, and we hear the sound of his footsteps over a series of scenes of his meeting his wife, and the two of them sharing innocent good times with Reese. He confronts his wife, fires six shots into her bed before realising Reese isn't there. A scene later, she's dead after an apparent overdose. A scene after that, the body is gone, the apartment is bare, and Walker has boarded himself inside. Did Walker even see his wife? Had she died already? A messenger arrives from whom Walker extracts a name, and he's off chasing the next link.
Walker meets care dealer Big John, whose yard has enormous signs in a jazzy '50s font. He asks for a test drive, buckles his seatbelt, and smashes the car between pillars (c.f. The Driver) until John spills the next name.
The most self-consciously art-directed scene follows, in which Walker visits a nightclub which features both a bikini-clad go-go dancer and a trio playing something between jazz and James Brown. Tipped off by a flirtatious waitress that he's being followed, he ducks behind the stage, and fights two baddies while giant faces are projected on a huge screen behind him. In a moment that suggests Tarantino watched this while writing Inglourious Basterds, Walker pulls down a rack of celluloid canisters to trap one pursuer, and then returns things to some kind of action movie orthodoxy by subduing the other one with a haymaker to the groin.
In the centrepiece, Walker meets his sister-in-law Chris (Angie Dickinson). Grief and his mission of revenge don't mean he misses the chance to share her bed, and emerge, manhood serenely unthreatened, in her borrowed yellow shortie robe. The colour scheme gets turned up to 11 at this stage, with Walker in a mustard shirt-sports jacket combo (his outfits get truly creative whenever he's bedded Angie - later, he sports a shirt somewhere between salmon and ruby grapefruit - which I guess is the wardrobe equivalent of Joseph Gordon Levitt's post-coital dance routine in (500) Days of Summer), Angie in a rockin' yellow shift dress and matching '60s mid-length coat (let down soon after by wearing something striped like a bee), and Reese in a light tan, crushed velour t-shirt that might be the least flattering male garment in cinema until Borat's mankini. Walker even finds a sightseeing telescope painted lemon yellow, which he casually dislocates from its moorings to scope out Reese's penthouse lair.
Once Reese is dealt with, the movie shifts into an early example of crime-as-big-business. Reese's boss is Carter, whose sleek Mad Men-style office and threads are matched by his resemblance to that series' Ted. According to IMDb, Lloyd Bochner, who plays Carter, was doing voice-over work from age eleven, and between him, Vernon's baritone (you know how it sounds - like Dean Wormer: "Fat, drunk and stupid is no way to go through life, son."), and Marvin's basso profundo, there's a meeting of male voices unmatched until, say, Brideshead Revisited.
Around this point the architecture of LA attracts more and more focus, both modernist glass towers and the concrete culvert of the LA River, where a sniper lurks who might have inspired the climactic shooter in Get Carter.
The commentary is conducted as a dialogue between Boorman and Soderbergh, who, if you've seen this, early Nic Roeg (Performance and Don't Look Now), and were already acquainted with the colour yellow, seems less original than he otherwise might. He has the decency to open by talking about how many times he's stolen from Point Blank.
He's not the only one though. Point Blank deconstructs and toys with the action film as knowingly as anything in the 45+ years since, up to and including Archer and the entire oeuvre of Shane Black. Just when it's in danger of becoming too clever to be satisfying as a genre piece, it gets your attention with a pistol whipping, a punch to the groin, or the rarely-shown actual end result of the villain-takes-a-long-fall thing. And of course there's Marvin, who, whether dressed like a dandy, wearing a robe, or looking baffled when the next corporate criminal explains that they just don't have $93,000 to hand over, can't be beat. Seriously, you're not obliged to love it, but you have to see it at least once.
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Reviewed in the United States on May 3, 2014