benson pedal Benson Florist Dynamic Modulator Guitar Effects Pedal – Chuck Levin's Washington Music Center

benson pedal Benson Florist Dynamic Modulator Guitar Effects Pedal – Chuck Levin's Washington Music CenterLush, Dynamic Modulation in Full Bloom The Benson Florist Dynamic Modulator Guitar Effects Pedal In late 2023 we met Dave Jordan of Non Human Audio at a pedal event in OKC. We were drooling over his unique Slow Loris modulated slap back effect and very excited to meet him. Chris and Dave were chatting about the Loris and Chris wound up offering to help him get the effect in a different and possibly more controllable waymostly because it sounded fun.

Lush, Dynamic Modulation in Full Bloom - The Benson Florist Dynamic Modulator Guitar Effects Pedal

In late 2023 we met Dave Jordan of Non-Human Audio at a pedal event in OKC. We were drooling over his unique Slow Loris modulated slap back effect and very excited to meet him. Chris and Dave were chatting about the Loris and Chris wound up offering to help him get the effect in a different and possibly more controllable way…mostly because it sounded fun.

Fast forward a couple swapped schematics and a few wild tangents and the Florist was born. We were both so inspired with the possibilities of the new approach that Dave suggested we keep pushing it into new territory and release it as a collaboration.

While the Florist starts with the core idea of the Slow Loris, it is something else entirely and is not a revision or modification of the original. For instance, the delay range on the Florist is way faster than the original. We also redesigned the signal path for higher fidelity, and use a compressor type detector circuit for controlling the delay speed. We add a second delay channel using its own different detector to try to achieve some through-zero flanging and tri-chorus sounds. The two wet signals and the dry signal have independent volume control (DRY, WET A, and WET B) to blend the signals together. The two wet signals have independent intensity controls (INTENSITY A and INTENSITY B) corresponding to the respective volume controls.

Finally, we add a latching footswitch feature called GHOSTS which creates feedback right on the verge of oscillation in both of the delay lines, leading to some very odd sounds.

The result is a versatile effects box that yields both borderline conventional sounds (it can sound great as a chorus or slapback) and a vast array of weirder sounds that defy categories... flanging, modulated reverb, notes flying everywhere in unpredictable ways, swirling high frequency sighs etc. It’s so weird and unique that it creates a scene whenever people try it out for the first time.

We are especially excited to see how people apply it to music production...vocals and drums and synths...the possibilities seem wild and endless.

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Since 1958, Chuck Levin’s Washington Music Center has been the trusted destination for musicians and audio professionals across Maryland, Virginia, and Washington, D.C. Family-owned and operated, our legendary music store delivers Everything in Music®—from instruments and recording gear to pro audio, rentals, and repair services.

Our team of musicians and industry experts lives and breathes gear, helping you build the perfect setup for your next performance, studio session, or installation. As an authorized dealer for top brands, we also offer our award-winning CHUCKSCLUSIVE line—exclusive, limited-edition instruments and collaborations recognized with the NAMM Top 100 Dealer Innovation Award for redefining what a music retail experience can be.

Chuck Levin’s isn’t just a store—it’s a community built by players, engineers, and creators who share a lifelong passion for sound. Stop by our legendary Wheaton, MD showroom or contact us anytime for expert advice, product questions, or the best possible deal on your next piece of gear.