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Description
monstera plant stencil Monstera Leaves Stencil - Large Tropical PhilodendronUsing laser cut Mylar film and paint, it is very easy even for the beginner, to produce stencil work of HIGH QUALITY on Furniture, Walls, Floors, Fabrics, Windows and almost any other flat or lightly curved surface. If you haven't got the stamina for a whole wall a combination of similar stencils can add a bright splash of color. Large stencils make a stunning accent on an empty wall, try them near a sofa or table or even by the skirting board of
Using laser cut Mylar film and paint, it is very easy even for the beginner, to produce stencil work of HIGH QUALITY on Furniture, Walls, Floors, Fabrics, Windows and almost any other flat or lightly curved surface.If you haven't got the stamina for a whole wall a combination of similar stencils can add a bright splash of color. Large stencils make a stunning accent on an empty wall, try them near a sofa or table or even by the skirting board of pretty much any wall space that needs that extra something.
Stenciling is fun for the whole family but BEWARE it is very addictive!
HOW TO STENCIL
Virtually any paint can be used to stencil with, but the two most popular types are Acrylic and Dry-brush Oil.
Preparation
Always make sure that the surface to be stencilled is clean and properly prepared with no flaking paint.
Instructions
Spray the back of the stencil lightly with spray glue and position the stencil on the chalk line or registration mark.
Paint: Dip your brush or sponge into the paint then, wipe off most of it on a piece of kitchen paper. If you use too much paint you will find that it bleeds behind the stencil, giving the pattern very ragged edges.
Apply the paint using an up and down stippling motion, start on the outside of each of the stencils cut outs and work your way in towards the middle.
Clean-up: Wash your stencil frequently in hot soapy water, especially when changing colour. Don't forget to check for paint on the back of the stencil. To remove oil paint and glue from your stencils and brushes soak them in turpentine for a few minutes.
Virtually any paint can be used to stencil with but the two most popular types are Acrylic and Dry-brush Oil.
Preparation
Always make sure that the surface to be stenciled is clean and properly prepared with no flaking paint.
Instructions
Spray the back of the stencil lightly with spray glue and position the stencil on the chalk line or registration mark.
Paint: Dip your brush or sponge into the paint then, wipe off most of it on a piece of kitchen paper. If you use too much paint you will find that it bleeds behind the stencil, giving the pattern very ragged edges.
Apply the paint using an up and down stippling motion, start on the outside of each of the stencils cut outs and work your way in towards the middle.
Clean-up: Wash your stencil frequently in hot soapy water, especially when changing color. Don't forget to check for paint on the back of the stencil. To remove oil paint and glue from your stencils and brushes soak them in turpentine for a few minutes.
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- Free Standard Shipping on $100+ Orders to the USA.
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Exchange/Return Notes
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4.3 ★★★★★
Based on 233 reviews
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Product Reviews
★★★★★ 4
ITS GOOD OIL
Size: 5 Quarts
OVERALL NOT BAD BUT USING IT TO SEASON A CAST IRON WILL CREATE A BIT TOO DARK OF A SHEEN. WISH THE MANUFACTURER MENTIONED THAT
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Reviewed in the United States on April 8, 2025
★★★★★ 5
buenos
Size: 5 Quarts
Siempre compro de este aceite y es buenisimo me gusta
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Reviewed in the United States on May 5, 2026
★★★★★ 5
Well researched, disturbing, engaging.
Format: Paperback
I was amazed at how indepth and involved this history was. Very interesting, engaging and also very disturbing.
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Reviewed in the United States on April 1, 2026
★★★★★ 4
Good For History Lovers
I doubt anyone who does not want to read a true historical book with a lot of facts but not as exciting as a non-fiction novel will enjoy this. I liked it because I learned a lot of things about New York that I was really surprised to read. Seems my beloved New York had a pretty bloody, violent history towards slaves and Catholics and some others the leaders and people did not like. I didn't realize the punishments of the day were just as bad, if not worse, than those of the Salem Witch hunt days. Beware, some of the content may turn your stomach.
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Reviewed in the United States on March 17, 2014
★★★★★ 5
Search for Scapegoats
Format: Hardcover
Jill Lepore's "New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan" is a valuable and admirable examination of one of the darkest episodes in New York's history: the so-called slave rebellion of 1741 and the brutal vengeance that was extracted. Professor Lepore's painstaking research confronts the reader with a terrible conclusion: even the most respectable of people in society will consent to the deaths of human beings, based on even the tiniest shreds of evidence.
Focusing primarily on the actions of Daniel Horsmanden, the City's Recorder, Lepore provides the reader with a background on the attitudes of New York's whites toward their slaves. She makes clear that Gotham was neither the first nor only city to have witnessed slave uprisings. (It had suffered a similar uprising a couple of decades earlier.) But the events of 1741 were unique for several reasons:
--the shifting finger-pointing at various groups;
--the inconsistency of Mary Burton's testimony, which essentially was the case against several slaves;and
--Horsmanden's bizarre behavior toward Mary Burton.
Admittedly, I've only superficially studied this dark time in New York's history, so I was shocked to learn that there were actually several "conspiracies": the Negro Plot, Hughson's Plot, the Spanish Plot, the Roman Plot, etc. Each plot was hatched depending on who confessed to what. Worst of all, the white population of New York--fueled by racism, xenophobia, paranoia, and, not the least of all, bloodlust--went right along with it. And, with the exception of an intriguing anonymous letter from Massachussetts, it seems the rest of the colonies went along with it, too. While Horsmanden is just short of villified in this book, he is not alone in his culpability.
Professor Lapore's "New York Burning" will disturb many readers. The accounts of the slaves and the few whites burning, hanging, begging, and praying are graphic and heartbreaking. Still, this in an incredibly important book for anyone interested in the history of our nation and/or the all-too-tragic fragility of race relations in America. For this, Professor Lapore deserves our appreciation
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Reviewed in the United States on June 8, 2006